You don’t have to wait until the guitar is done before you start
testing your finish. This can run concurrently with many of the
previous steps. It only takes a minute to wipe on some stain. Plus
it gets you a little excited while you’re performing some of the
more mundane tasks.
No
matter what recipe you use for you color and clear coats, take the
time to test your finish on some scraps from the actual guitar.
Don’t stop your testing with just your color coat, carry it through
to about three coats of your clear finish. Each coat will slightly alter the color and bring
a different sheen to the finish. You definitely do not want any
surprises at this point. Our first sample (on top) was too light on
the left and too red on the right. Our second sample (on the bottom)
was a shade darker, but still not where we wanted it. Our third
sample (in the middle) was right on with our color coat, but when we
continued through our subsequent coats, the appearance darkened up
quite up bit more than we expected. Our fourth sample (not shown;
it’s on the back of the bottom sample) came out just right. Keep
track of your recipes so you can duplicate them on the actual
guitar. It might be hard to see in the photo, but you can make out
some scribbles on the edges of the boards noting the color and
number of coats used.
From the work on our finish test pieces, here is the big picture on
where we’re going. I’ll break down the discussion on each step as
it’s covered.
● Finish sand
● 1 coat of Golden Brown Dye
● 1 coat of Boiled Linseed Oil
● 4 coats of Orange Shellac
● 30 coats of High Gloss Lacquer
● Rub out with Micro-Mesh abrasives |